Two pages. The first is Vivienne Vale, filled in from the canon we write every episode against. The second is yours. Fill it in before you generate a single frame.
Character Card · example
Looks 39. Is 412. Lives in Los Angeles. Lead of Viv & Norman.
A 412-year-old woman has mastered desire. Unfortunately, she has to learn intimacy.
To belong to the human world: dinners, friends, love, a normal Tuesday.
She can't feel the warmth she performs. And she needs Norman far more than she lets anyone see.
She wants in, and she finds every human rule ridiculous. She has mastered seduction and still confuses desire with love.
A smile that arrives half a beat late. Kindness that is a little too calculated. Care performed for witnesses. Her words say one thing; what she does gives her away.
Norman, a 4-year-old honey-red Pomeranian with a burgundy collar and a round brass tag. He never speaks and behaves like a dog: sniffs, turns away, sits, walks to someone else. Vivienne decides what it means. She asks him for approval, forgets him, comes back for him, and turns tender when someone is watching.
Calm, precise sarcasm. Nobody plays the comedy. The last line is shorter than the explanation.
“The tear? Mascara. Obviously.”
Dark voluminous wavy bob, a white streak at her right temple, living skin with texture, natural teeth with tiny stones on the two upper canines, a small antique locket.
Fangs, capes, gothic countess. Evil, suffering romantic heroine, warm influencer. An episode about her ex every day.
Her goal is visible in the first second. The effort is unequal: huge emotion, tiny situation. Norman reacts like a dog. She notices, hides it, and gives herself away. The ending leaves a consequence for the next episode.
Character Card · yours
Something they'd tell a stranger at a party.
The thing they'd deny if a friend said it.
Two things that are both true and pull against each other.
What they do that gives them away. Gestures, timing, a habit.
Who or what they play against in every episode, and how that partner changes what they do. A partner who reacts is enough.
How they talk. Then write one last line, shorter than the explanation.
Two or three rules that never bend.
Three to five details that stay in every shot.
What this character would never do or become.
Goal in the first second · a big emotion over a small thing · the partner reacts · they notice, hide it, give themselves away · a consequence for next time.
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